Method 99 · Nondual and expansive contemplation
Awareness in Every Direction
Pervade all directions AdvancedIn the app
An advanced nondual contemplation in which awareness is regarded as extending equally in every direction, without a centre or an edge.
Understand
We usually experience attention as a beam. It points forwards, towards whatever we are looking at or thinking about, and comes from somewhere just behind the eyes. This method contemplates a very different shape. It regards awareness as spreading out equally in every direction: in front and behind, above and below, to either side, with no single point it streams from and no boundary where it stops.
The experience described is not so much about imagining something as about noticing how experience is already arranged. Sounds can arrive from behind you as easily as from in front. Sensations appear all over the body at once. In that sense, awareness is never really confined to a narrow beam. The method rests with this wider, directionless quality, and in descriptions of nondual contemplation it can bring a sense that the usual centre, the feeling of being a viewer located in the head, becomes less prominent.
One common misunderstanding is that you should push your attention outwards with effort, as if stretching it as far as it will go. That kind of straining tends to bring tension or a heady, unsettled feeling rather than openness. Another is that losing the sense of a centre is a goal to be reached. In the tradition, the emphasis falls on recognition rather than on producing an experience, and a quiet sense of spaciousness is just as meaningful as anything more dramatic.
This method may suit people with a long, stable practice who find expansive contemplation steadying. It is not well suited to anyone who feels unanchored or unreal when attention widens, or who is going through a period of acute stress. People with a history of trauma, psychosis, dissociation or serious mental-health conditions should seek suitable support before taking up intense contemplative practice of this kind.
If the idea appeals, simply listening to sounds coming from all around you is a grounded, everyday way to explore the same openness.
Deep dive
In Seven Doors’ working classification, this method sits in the nondual family, among the later contemplations of the Vijñāna Bhairava that soften the line between the one who knows and what is known. Several neighbouring methods work with expansion: the body steeped in vastness, the world held within awareness, consciousness without limit. This one gives the expansion a particular shape. Rather than growing from a single point, awareness is considered as already present in all directions at once.
In the Kashmir Śaiva tradition from which the text comes, consciousness is often described as all-pervading, present everywhere rather than located anywhere in particular. Teachers who have commented on practices of this kind have read them in a few different ways. Some present the method as a gradual widening, in which attention is allowed to spread until it no longer has a felt edge. Others say the widening is unnecessary, and that the practice is simply to notice that awareness was never confined in the first place. Others again treat it devotionally, as a way of feeling the divine as present everywhere. These are interpretations, and none should be treated as the settled meaning of the verse.
What these readings tend to share is a movement away from the sense of a single, isolated viewpoint. They rarely describe it as a special state that arrives once and stays. More often it is presented as a perspective that can be returned to, lightly and repeatedly.
Historically, nondual contemplations were taught after a long foundation of practice and within a relationship with a teacher who could respond to how each student was experiencing them. Pursued intensively or alone, practices that remove the felt centre of experience can bring disorientation, a sense of unreality, anxiety or a frightening feeling of having no location. People who already experience dissociation or unusual perceptions can be particularly vulnerable to these effects.
A modern, careful adaptation would avoid effortful stretching of attention and dramatic language about boundlessness. It would start from ordinary, checkable experience, such as noticing that sounds arrive from every side, and would keep a steady anchor, such as the feeling of the seat or the floor, present throughout. It would be short and easy to stop, and it would be honest that nothing in particular needs to happen. The short guided practice in the Seven Doors app is built along these lines, while this page describes the method rather than giving step-by-step instructions.
For anyone drawn to this kind of contemplation, the dependable route runs through the simpler doors first. Sound and space practices in particular offer a grounded taste of openness, and they build the steadiness that lets more expansive ideas be explored with curiosity rather than strain.
Described, not instructed
Best approached after the foundations, or with a teacher. Described here, not instructed. This page explains the method and its context without step-by-step instructions.
Source text
Verse 43 · The Vijñāna Bhairava, ed. Mukunda Rāma Shāstrī, Kashmir Series of Texts and Studies 8 (1918)
निजदेहे सर्वदिक्कं युगपद्भावयेद्वियत् ।
निर्विकल्पमनास्तस्य वियत्सर्वं प्रवर्तते ॥
nijadehe sarvadikkaṃ yugapadbhāvayedviyat |
nirvikalpamanāstasya viyatsarvaṃ pravartate ||
Translation
Contemplate space in one’s own body, extending in all directions at once. When the mind is free of thought, everything becomes space for that person.
How the practice adapts it
The verse asks for space to be felt in every direction within one’s own body at once; the practice keeps an all-around quality of experience, anchored in the seat.
Seven Doors’ own translation from the Sanskrit of the 1918 KSTS text, made and reviewed with AI assistance in two independent passes; the works listed were drawn on for the meaning of hard words, from the AI’s knowledge of them, and were not compared page by page.